Photo Source: Jacob Ritts
“In the Envelope: The Actor’s Podcast” appearance intimate, all-embracing conversations with today’s best noteworthy film, television, and amphitheater actors and creators. Abounding of both adeptness and inspiration, “In the Envelope” affectedness account to awning aggregate from applied admonition on abyssal the industry, to how your admired projects are made, to claimed belief of success and abortion alike. Join host and Awards Editor Jack Smart for this adviser on how to alive the artistic activity from those who are accomplishing it every day.
If Bob the Annoyance Queen could go aback in time and acquaint his adolescent cocky one thing, it would be simple: “Girl, work.”
Before acceptable an actor, producer, comedian, and activist, best accepted as the Season 8 champ of absoluteness antagonism authorization “RuPaul’s Annoyance Race,” Bob the Annoyance Queen was Caldwell Tidicue, a anomalous kid with dreams of superstardom in Columbus, Georgia. “Maybe if I was absolutely not abashed of fucking up the time-space continuum,” he says, “I would apparently be like, ‘Hey, don’t booty those summer courses because it’s activity to arbor up a lot of debt and you won’t pay it off for years. It’s activity to ruin your credit.’ Outside of that? ‘Girl, all the being you’re accomplishing is absolutely nailing it.’ ”
That affectionate of aplomb is of advance all-important for any career in the arts, but conceivably abnormally back it comes to drag, an art anatomy that elevates and mocks gender announcement and encompasses aggregate from alive ball and music to costuming and appearance to hosting and producing. Growing up, Bob was aggressive by Whoopi Goldberg, Carol Channing, and children’s shows on Nickelodeon; afterwards it was seeing “Drag Race” Season 1 champ BeBe Zahara Benet onscreen. “Maybe a little bit naively, I consistently anticipate to myself, ‘I could do that,’ ” he tells Backstage.
Since annoyance so generally requires amalgam an ultra-confident persona and acceptable audiences to buy into that fantasy, showcasing his best qualities onstage came artlessly to him. “My Blackness, my queerness, my gayness, my disability to shut the hell up—these are all things that accept absolutely formed for me,” Bob explains. Afterwards abrogation Columbus State University aboriginal to move to New York City and accompany amphitheater and comedy, he began assuming actor and lip synchs in 2009, acumen annoyance was his way into the biz. “For me, it was absolutely important to asperse myself in the New York nightlife annoyance arena and become an basic allotment of that community.
“I anticipate if you appetite to drag, you’ll bulk it out,” he adds. “My annoyance mom is YouTube. I abstruse aggregate I capital to learn. You can apprentice annihilation on YouTube.”
As aboriginal Kitten Withawhip again Bob the Annoyance Queen—who the aerialist calls “my annoyance persona, which isn’t absolutely a persona, it’s added of a nickname”—continued to evolve, so did his adventure as an artist. “My aboriginal brace of auditions that I anytime ashamed myself at were all acknowledgment to Backstage,” he remembers. “I didn’t apprehension that there were a lot of roles accounting for me specifically, like a funny being who can’t sing and is a center appropriate dancer. There’s not a lot of being accounting for that and all those roles are activity to Whoopi Goldberg!”
Bob additionally wrote musicals, produced cabaret shows, and congenital a able arrangement of collaborators that has endured afterwards “Drag Race” launched him to boilerplate success. “If I can’t acquisition the places that I want, I will address them myself,” he says. He’s acted on HBO’s “High Maintenance” and “A Black Lady Sketch Show,” Netflix’s “The Tales of the City,” the blur “Rough Night,” and in Berkeley Repertory Theatre’s “Angels in America,” produced music videos and actor specials “Suspiciously Large Woman” and “Live at Caroline’s,” and hosted “The Trixie & Katya Show,” “The Pit Stop,” and the “Sibling Rivalry” podcast adverse Monét X Change.
This year, amidst a all-around communicable and borough unrest, Bob has connected authoritative amusing media and YouTube content. He additionally starred as co-host and consulting ambassador on HBO’s Emmy-nominated absoluteness hit “We’re Here,” and created the aboriginal anniversary Black Anomalous Town Hall alongside adolescent artist-activist Peppermint. “I didn’t apprehend how important it is to accept people’s attention,” he says of his aesthetics against application one’s belvedere to achieve change. It’s like the best admired adeptness on the planet…. There’s an absolute bulk of attention, and I accept a absolutely nice adeptness to get a lot of it, and I try to accumulate that in mind.”
To apprehend Bob’s ultimate advice—“No one is activity to acclamation for you harder than you accept to acclamation for yourself!”—and more, tune into his “In the Envelope” adventure below. Stick about afterwards the account for casting cabal Christine McKenna-Tirella’s breakdown for anecdotic and ambidextrous with casting scams. And analysis out her admired listings of the week: a TV hosting gig for a foodie, the Amazon alternation “Paper Girls,” and a socially distanced assuming acquaintance in the U.K.!
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Jack Smart is the awards editor at Backstage, area he covers all things Emmy, SAG, Oscar, and Tony Awards. He additionally produces and hosts Backstage’s awards podcast “In the Envelope” and has interviewed some of the better stars of date and screen.
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